I Can See Her Face [Hidden Track]

© 1993 Paul Jackson

Waltzed up to me, she was just about five foot five
From that moment on, I knew what it was to be alive
The things she made me feel, a thousand poets couldn’t express
I was trying to say the words but I knew they’d come out a mess

High street, I’m looking scruffy, here she comes the other way
Wished I’d changed my clothes and I wish my hair would get up and stay
Briefest smile, eyes are touching, nothing I can do or say
Back to square one, as she walks off to another day

Time’s passed, and years later I can still remember those days
Everything’s the same with me, never making any headway
The past is always smiling and I wish it never went away
But I’ve got hope for as long as the memories don’t fade

Eleven thirty Sunday evening trying hard to slip away
Memory, image forming, just the same as yesterday
But I’m mistaken!
The image is being taken
To the little bunch of thoughts at the back of the brain
Where every little moment just remains the same..

I can see her face
I can see her face
I can see her face
It’s a perfect reproduction of a time and place

I can see her face

Paul: “An interesting one this. A song with a very simple chord pattern that seemed to be (slightly) based upon ‘R.O.C.K in the USA’ by John Cougar Mellancamp, a song I enjoyed in the 80s (although I subsequently realised it had some unhelpful lyrics in it…like so many good tunes).

The song is about that feeling of having a memory come into your mind very forcibly, so much so that you actually feel that you are back ‘there’, wherever that might be. I think it is the sort of thing that happens when you hear a certain piece of music. In my case, my post-adolescent mind remembered the face of someone I had been keen on a few years before and I thought I could remember her face particularly vividly on one occasion. Verse three is a bit self-indulgent from today’s viewpoint, twentysomething angst in the face of another rejection, perhaps? Well, it all turned out right for me in the end and Liz was worth the wait!

Steve broke up the rather cyclical pattern of this song and made it much more of an epic for the version we eventually took on ‘tour’ and recorded. An incredible Edge-like guitar delay slowly moves in, followed by bass notes and Russell’s rock-solid rhythm guitar building to a cresendo and fade-out. It’s an unusual structure with only one chorus, right at the end. I liked the way that Pete Townshend would sometimes end his songs with a chorus or a fade that was completely different from what had preceded it.

And, yes, this is the ‘hidden’ final track on Milestone, exactly as it appears on ‘Calling Earth’. We couldn’t better it!”